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Audio-Technica AT4053b30,00 € / day
Audio-Technica AT803525,00 € / day
The length (14.53") of the AT8035 Line + Gradient Condenser Microphone is well-suited for ENG, outdoor recording and other specialized uses. The microphone is designed for video production and broadcast (ENG/EFP) audio acquisition. Suited for both boom & handheld use, it provides the narrow acceptance angle desirable for long-distance sound pickup, featuring excellent sound rejection from the sides and rear of mic and switchable low-frequency roll-off. It operates on battery or phantom power.
RODE – NTG 3 boom microphone25,00 € / day
The RØDE NTG3 super-cardioid shotgun microphone is designed for professional use on film, television, electronic news gathering and wherever high-resolution broadcast audio is required. As RØDE's premier directional microphone the NTG3 exhibits superlative audio quality with a rich, warm quality and a full frequency response. Its RF bias technology makes it almost completely resistant to moisture, making it the only option when recording in demanding environments where condensation is an issue.
Rode Blimp15,00 € / day
The RODE Blimp is a complete windshield and shock mounting accessory for the NTG1, NTG2 and NTG3 microphones, as well as any third party shotgun microphone up to 325mm (12 3”) in length. Now featuring the Rycote® Lyre suspension system, the Blimp provides the ultimate in microphone suspension and isolation.
Sennheiser EW100 G340,00 € / day
One system for exacting demands: G3 combines analog system benefits with sophisticated third generation technology. What this gives you: Extreme ease-of-use for up to 32 channels, huge UHF bandwidth, synchronization via software (ew 300 G3 and better) or infrared, and sophisticated antenna technology to truly satisfy all stage conditions. Tried & tested features make the configuration, channel management and operation all child's play. The three G3 Series ew 100, ew 300 and ew 500 meet every expectation in these respects – by professionals for professionals.
ZOOM F8 – Field Audio Recoder70,00 € / day
At its core, the Zoom F8 is an eight-input, 10-channel solid-state recorder. For all sample rates up to 96kHz the two extra recording channels capture a user-configurable stereo monitor mix alongside the eight individual input channels. However, although the live monitor mix exists, only the eight input channels are recorded if the machine is switched to 192kHz sampling.
ZOOM H4 – Field Sound Recorder30,00 € / day
The Zoom H4 is a handheld solid-state recorder with built-in stereo mic, two combi XLR/quarter-inch jack inputs and USB output. The entire unit measures 70 x 152.7 x 35mm, and looks rather like a device you'd use to stun the Invaders From Mars.
ZOOM H6 – Field Sound Recorder40,00 € / day
The device records up to six tracks of 24-bit/96kHz Broadcast WAV audio simultaneously, plus an additional two -12dB 'safe' backup tracks that can captured from the attachment mics or inputs. On the main body of the recorder there are four XLR/TRS combi sockets, each of which can be assigned phantom power independently of the others. What's more, each input has its own hardware level-control dial, much like those commonly found on professional location recorders, and a -20dB pad switch.