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  • AT4053b_800x800

    Audio-Technica AT4053b

    30,00 € / day
    This versatile studio performer may be used with confidence in a wide variety of professional miking applications. Featuring direct-coupled balanced outputs for clean signals in high-output conditions, the microphone is totally free of the distortion associated with conventional transformer-coupled outputs. And its fast response to transients contributes to the open, transparent reproduction of even the most difficult-to-capture instruments. The microphone is fully RoHS-compliant – free from all substances specified in the EU directive on the reduction of hazardous substances (RoHS).
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  • AT8035_800x800

    Audio-Technica AT8035

    25,00 € / day
    The length (14.53") of the AT8035 Line + Gradient Condenser Microphone is well-suited for ENG, outdoor recording and other specialized uses. The microphone is designed for video production and broadcast (ENG/EFP) audio acquisition. Suited for both boom & handheld use, it provides the narrow acceptance angle desirable for long-distance sound pickup, featuring excellent sound rejection from the sides and rear of mic and switchable low-frequency roll-off. It operates on battery or phantom power.
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  • RODE-NTG_3_800x800

    RODE – NTG 3 boom microphone

    25,00 € / day
    The RØDE NTG3 super-cardioid shotgun microphone is designed for professional use on film, television, electronic news gathering and wherever high-resolution broadcast audio is required. As RØDE's premier directional microphone the NTG3 exhibits superlative audio quality with a rich, warm quality and a full frequency response. Its RF bias technology makes it almost completely resistant to moisture, making it the only option when recording in demanding environments where condensation is an issue.
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  • Blimp_Rode_800x800

    Rode Blimp

    15,00 € / day
    The RODE Blimp is a complete windshield and shock mounting accessory for the NTG1, NTG2 and NTG3 microphones, as well as any third party shotgun microphone up to 325mm (12 3”) in length. Now featuring the Rycote® Lyre suspension system, the Blimp provides the ultimate in microphone suspension and isolation.
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  • EW100_G3_800x800

    Sennheiser EW100 G3

    40,00 € / day
    One system for exacting demands: G3 combines analog system benefits with sophisticated third generation technology. What this gives you: Extreme ease-of-use for up to 32 channels, huge UHF bandwidth, synchronization via software (ew 300 G3 and better) or infrared, and sophisticated antenna technology to truly satisfy all stage conditions. Tried & tested features make the configuration, channel management and operation all child's play. The three G3 Series ew 100, ew 300 and ew 500 meet every expectation in these respects – by professionals for professionals.
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  • ZOOM_F8_800x800

    ZOOM F8 – Field Audio Recoder

    70,00 € / day
    At its core, the Zoom F8 is an eight-input, 10-channel solid-state recorder. For all sample rates up to 96kHz the two extra recording channels capture a user-configurable stereo monitor mix alongside the eight individual input channels. However, although the live monitor mix exists, only the eight input channels are recorded if the machine is switched to 192kHz sampling.
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  • 0005242_zoom-h4n-professional-handy-recorder_625

    ZOOM H4 – Field Sound Recorder

    30,00 € / day
    The Zoom H4 is a handheld solid-state recorder with built-in stereo mic, two combi XLR/quarter-inch jack inputs and USB output. The entire unit measures 70 x 152.7 x 35mm, and looks rather like a device you'd use to stun the Invaders From Mars.
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  • ZOOM_H6_800x800

    ZOOM H6 – Field Sound Recorder

    40,00 € / day
    The device records up to six tracks of 24-bit/96kHz Broadcast WAV audio simultaneously, plus an additional two -12dB 'safe' backup tracks that can captured from the attachment mics or inputs. On the main body of the recorder there are four XLR/TRS combi sockets, each of which can be assigned phantom power independently of the others. What's more, each input has its own hardware level-control dial, much like those commonly found on professional location recorders, and a -20dB pad switch.
     
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